By Larry Stephens
Chris Jones & the Night Drivers are earning a reputation as one of the top bands in bluegrass. Their music reflects strong ties to traditional bluegrass and they rely heavily on the band members’ talents as songwriters. Three of the four-man band regularly appear on SiriusXM’s Bluegrass Bunction (Jones, Weisberger and Luberecki).
Chris Jones plays guitar and does the lead singing. His distinctive voice is pitched lower than standard for bluegrass music, and is more a balladeer than his peers. It’s an easy voice to listen to and doesn’t take the adjustment needed by fringe bluegrass fans to some of the more traditional voices and stylings (such as Danny Paisley). Jon Weisberger plays bass and sings baritone and also adds to the mix his talent as a composer. Jones and Weisberger wrote “She’s Just About To Say Goodbye,” which features the fiddle of Troy Engle and harmony vocals of Darin and Brooke Aldridge. This is a good, country-style love song with an interesting arrangement.
The pair also wrote “Laurie,” an uptempo bluegrass number with Ned Luberecki providing a banjo break, Jones showing his skill on lead guitar and former Night Driver Casey Driessen playing fiddle. Their third number is “One Night in Paducah,” featuring Buddy Melton singing tenor and Tim Surrett playing Dobro. Bandmember Mark Stoffel provides an interesting mandolin break on this haunting song about love gone wrong in eerie circumstances. Jones had a hand in some of the other cuts, such as “My Portion and My Cup,” co-written with Donna Ulisse and featuring the Aldridges singing harmony. This is the only gospel number on the CD. Jones went solo on composing with “Dust Off the Pain,” another suffering from heartbreak song (bluegrassers do a lot of suffering) and “Tonight I’m Gonna Ride,” a high speed number with Driessen playing fiddle.
Going back a bunch of years they cover a Flatt & Scruggs number, “Thinking About You.” This cut features Del McCoury singing tenor and Bobby Hicks playing fiddle. It’s tough to get more traditional than this and it’s a good song from those early masters of bluegrass. They also have a Tom T Hall number, “Pinto the Wonder Horse Is Dead.” It may not be bluegrass, but it’s a great story song from the master of story songs. It takes me back many years to memories just like these. They stay true to Hall’s 1971 version. Switching gears, they include an old-time/Gaelic number, “The Leaving of Liverpool,” done by groups like the Dubliners. Strictly speaking, this isn’t bluegrass either, but a first cousin, much closer than the country-pop some bluegrass groups are including in their CDs.
Night Driver mandolinist Mark Stoffel composed “Shelby 8,” a very good instrumental with some minor chords and an interesting progression. There’s some excellent picking in this one. Ned Luberecki adds a banjo number, “Bowties Are Cool” which raises the oft-asked question (at least by me), how do they come up with these titles?
This CD solidifies the Night Drivers spot in the pack of leading bluegrass groups. It’s a good buy.