By Larry Stephens
What’s bluegrass without songs of death? Murder songs are woven into the culture and are evidence of how bluegrass remains tied to its roots—and most of us believe that’s a good thing. Maggie and Molly, “Sisters of the Mountain,” are twins living alone on the mountain all their lives and who fall in love with Joshua Taylor, a Blue Ridge mountain man. They catch Joshua in the arms of another woman and he disappears forever. I know places where that still might happen.
Rachel Burge nails the song and she and the band do it with drive. You won’t be confusing this with indie country, Americana, or any other genre. The arrangement grabs your attention, with Burge and Michele Birkby-Vance (fiddle) joined at the hip on their vocals.
Birkby-Vance wrote and sings “Homeplace in the Mountains,” a pure bluegrass number that’s yet another core of bluegrass: away from home and longing to go back. Burge adds “My Cold Heart,” a hard driving love song from a different angle. She’s a woman who rejects love because of her cold heart and she’s the one who’s leaving and wronging someone. Burge combined a college education with bluegrass, obtaining a certificate in bluegrass from Glenville State College. This allowed her to play with Mac Wiseman, Ronnie Reno, and others as part of that program. She’s not only an excellent bluegrass singer, she knows how to play her mandolin as well as anyone you’ll hear out on the circuit. “Please Stay Away” is a pretty love song in waltz time, asking a person she loves to please stay away. Love hurts and she tells us about it in a very pretty way.
Joining Burge and Birkby-Vance are Radford Vance (banjo, guitar, vocals), Lance Gainer (guitar, vocals) and Rick Westerman (bass, vocals). Radford Vance composed “Road Apples,” an excellent instrumental that showcases the excellent musicianship of each member of the band – except the bass player. For some reason they made the choice to keep him so low in the mix you have to work at hearing him. What comes through sounds good, though. Vance also gives us “Barefootin’,” recollections of a youth growing up in the country.
Burge reaches out to other composers, including Bill Carlisle and Tommy Cutrer, who wrote “I’ve Kissed You My Last Time,” a beautiful country ballad released by Kitty Wells back in 1955 and Doyle Lawson in 1995; Ronnie Bowman, co-writer of “I’ve Seen Enough of What’s Behind Me,” a song with a hook about not needing a rear-view mirror because the singer is only looking ahead in life; “April Snow” by Mark Brinkman, another song about broken love; and Rebecca Westerman’s “Living In The Light,” a gospel number that features the group’s excellent harmonies.
This is an excellent CD from a group that should make a lasting impression on bluegrass music.