By Larry Stephens
Ronnie Reno is a seasoned professional who makes good bluegrass music—and he makes it his way.
Being the son of a legend doesn’t guarantee success, but it doesn’t hurt, either. Reno is the host of Reno’s Old Time Country Music on RFD-TV and often shows clips of his father, Don Reno, with a young Ronnie playing mandolin in dad’s band. From that start, he’s carved a path through music that includes five years with the Osborne Brothers, nine years with Merle Haggard, then seventeen years with his family (father Don Reno for two years until his passing, the entire time with brothers Dale and Don Wayne Reno). He continues on today with his band, the Reno Tradition, and is seen at many festivals and shows throughout the year.
My father loved country music but never thought much of bluegrass, especially the banjo. When I finally started playing bluegrass with some friends here in southern Indiana, I doubted I could do much singing because my image of bluegrass centered on Bill Monroe. While I love Monroe’s music, I was pleased to learn there are a variety of singing styles in bluegrass. Reno’s style is laid-back, relaxed—with neither the high tenor of Bobby Osborne nor the modern approach of someone like Dan Tyminski. You feel like it’s a warm, summer afternoon on the back porch with you and Reno sitting in cane back chairs and sipping lemonade.
This new CD is billed as a solo effort, though members of Reno Tradition are in the mix, including Mike Scott (banjo) and John Maberry (mandolin). It gets a little confusing after that. Robin Smith plays bass on one track and is shown as Reno Tradition’s bass player on the group’s web page, while Heath Van Winkle appears on an old version of the page and plays bass on the other tracks. Jackie Miller has been Reno’s fiddler for several years and also plays mandolin. He plays mandolin on one track while Steve Day, who has been seen playing fiddle on the TV show lately, is the fiddle player. They are joined by Marty Stuart’s drummer, Harry Stinson.
All but two tracks were composed by Reno. The title number is an easygoing song about the lessons learned through the years of life—a vantage point shared by those of us who have been around a few decades. “Trail of Sorrow” is a fine Don Reno song featuring Van Winkle singing tenor and Sonya Isaacs singing high harmony, while “I Think of You” is a love ballad Reno wrote with his wife on his mind. Turning the other direction is “Bad News at Home,” a story about those times a man messes up and knows what’s in the cards when he gets home. It features a lively tempo and a 6-2-5-1 chord progression for a different pace. “Lower Than Lonesome” is another uptempo song about the downside of love.
An extra treat that sorta, kinda breaks out of the easygoing love or loneliness pattern is Lefty Frizzell’s “Always Late” with guest David Frizzell sharing the lead.
Ronnie Reno is to bluegrass what Red Skelton was to comedy: talented, easy-going, and always enjoyable.