By Larry Stephens
Through the years I’ve attended a number of happenings—church services, jams, shows with local performers—where the singers are untrained. That doesn’t necessarily mean bad, off-key, or off-time, just no cultured vowel sounds or beautiful diction. These are people who enjoy singing and don’t keep a scorecard on perfection.
Meet the Sacred Shakers. They combine a variety of related music styles, including old-time, bluegrass, country, and rockabilly to serve up their own brand of spiritual music, performed by a group that includes musicians who are Christian, agnostic and Jewish. It’s clear this isn’t your usual gospel offering. “Take Me In Your Lifeboat” has been performed and recorded by a long list of bands, but you may have never heard this particular combination of banjo, electric guitar, driving upright bass and drums. Guitarist Jerry Miller released his own CD (reviewed here) a year ago and is an ace instrumentalist in band of top-notch players.
The leader of the Shakers is Eilen Jewell. She has a good voice with a timbre that sets her apart from most female vocalists. Her version of “All Night, All Day” has a swinging, bluesy feel, with a good break by Miller and an a cappella ending that showcases the harmony singing of the group. Her rendition of Hazel Dickens’ “Won’t You Come and Sing For Me” is reminiscent in tone with Dickens’ version but more relaxed, with blues influences.
“Little Black Train,” a song done by Woody Guthrie and the Carter Family, has a dark feel to it with the banjo playing a repeating riff and some haunting minor chords from other instruments in the background. The fiddle music of Daniel Kellar plays an important role on this number, but on some tracks he must be trying for an old-timey sound as he comes across a bit scratchy. The band takes a different approach to “Lord, I Am the True Vine” with a rock-and-roll kick and then singing it like a gospel revival, drawing a picture of everyone waving their hands and swaying to the music. “Run On” shows off their harmony singing with the background singers responding to the lead.
This is a CD of contrasts, recorded live with an enthusiastic reaction from the crowd. Banjo balanced against rock and country electric guitar, rockabilly bass, a drummer who knows how to drum, very good harmonies, a fiddler that is sometimes impressive and sometimes not, and enthusiastic vocalists. This is music with religious roots but not producing a religious atmosphere, played for enjoyment, not conviction. If for no other reason, you need to listen to it because of Miller’s guitar work throughout.