Family, Friends & Fellowship
Rural Rhythm Records
4 stars (out of 5)
By Larry Stephens
Steve Gulley is at home with a bluegrass, country, or gospel song. A favorite spot in his bluegrass performances is when he steps up to the mic to sing George Jones. Gulley typically sings in the lead register, between baritone and tenor but can hit the tenor part when he needs to. If you had to pin his voice to a genre, it’s more country than bluegrass but bluegrass isn’t totally about that high, lonesome sound. He’s a veteran performer, from his young days in Renfro Valley to time with Doyle Lawson and helping found two very popular groups, Mountain Heart and Grasstowne. Now he’s released his first gospel CD.
Family, Friends & Fellowship has elements of country as well as bluegrass, easily slipping from one to the other. “The Man I Ought To Be” is classic country music. Fiddles, steel guitar, bass—it will stop a country music lover in his or her tracks just to savor that kickoff. The message is a good one, too, talking about the struggles of living a Christian life. One of its great lines is “I never felt so tall as when I fell down on my knees.” His wife, Debbie, sings harmony and she doesn’t take a back seat to anyone with her singing ability. Gulley co-wrote this song and wrote “Scars In His Hands,” a number he recorded with Mountain Heart, one of their best songs. On this cut he’s joined by Kenny and Amanda Smith plus Jason Burleson playing mandolin and Brandon Godman, who plays fiddle on several tracks.
“What Would You Have Me Do” is a story about the dark times of life that Gulley wrote, hoping its message might help someone along life’s way. Some of the CDs multi-track supporting artists are Phil Leadbetter (resophonic guitar), Mark Fain (bass), Ron Stewart (banjo, fiddle), Stewart’s bandmate Adam Steffey (mandolin) and Tim Stafford (guitar). On the country numbers you’ll hear Les Butler paying piano and Terry Crisp on steel with Mark Laws providing percussion on most tracks. These are some of the best musicians in bluegrass and country. Bringing together such a diverse group likely means at least some of them recorded their tracks remotely, but that had no effect on the quality of the end product.
Another family-affair song is “God’s Not Dead,” with Gulley’s parents Linda (lead) and Don (baritone) joining Steve and Vic Graves (bass vocals). Gary Robinson, Jr. and Bryan Turner (both members of Gulley’s new band, New Pinnacle), Stuart Wyrick and Scott Powers contribute, too. Graves also sings lead on an 1893 hymn that’s one of my favorites, “I Must Tell Jesus.” Gulley turns to his old boss and friend Doyle Lawson to help on “Pray For Me” and a nice arrangement of Hank Williams’ “House of Gold.” Lawson sings baritone while Don Gulley sings lead. Don Gulley is a veteran radio announcer and performer and is clearly in his element on this CD.
Carl Story co-wrote “Light At The River” and one of my favorite singers, Ricky Wasson, shares the lead duties on this good old song. A great partnership lasted a few good years when Paul Williams played in Jimmy Martin’s band. One product of their relationship was “Stormy Waters.” Harking back to their days together in Renfro Valley, Gulley sings this one with Dale Ann Bradley. He reaches into southern Gospel to give us a G. T. Speer song, “I Never Shall Forget the Day,” along with Joe Mullins, a singer who ranks high in my list of favorites. Debbie Gulley sings harmony then takes her turn on lead with a touching number that leads to some soul searching, “Could You Walk a Mile.” This is a number we should all listen to carefully. Another song from southern gospel that will touch your soul comes from Ronald Hinson, “That I Could Still Go Free,” featuring Debbie Gulley and Mark Wheeler on harmony. What a great song this one is.
The CD closes with a song that probably all of us know, “Jesus Loves Me,” featuring grandson Mack on the intro and Alan Bibey on mandolin.
This is Gulley’s first gospel CD. After you hear it you’ll be hoping it’s not his last.