Ann & Phil Case
When Shadows Fall: Songs in the Popular Style
Dry Run Recordings
5 stars (out of 5)
By Aaron Keith Harris
Artisanal is an adjective that’s pretty effective marketing products these days, from cheese to furniture to mobile phone cases. In an era when most of us eat non-food that we buy with a virtual representation of money that is in itself fake and has not been based on something of value for the last century, more and more of us are realizing that Jefferson was right, that free people making and doing what they like in free markets are more likely to become and remain happy than those who submit to the cube farms and factoires, the bureaucrats and banks.
Based not far from me in Germantown, Ohio, Ann & Phil Case are gentle yet expressive singers, and musical artisans of the highest quality. So are their tools, which include here a 1929 Martin 0-21 guitar, a Washburn tenor ukulele (Lyon & Healy, 1931), a Regal Dobro model 27 from the mid-1930s, a Yale 000-size guitar (Larson Brothers, ca. 1920), and a 1924 Conn alto saxophone.
When Shadows Fall is dreamy and eclectic—like a trip up and down the radio dial sometime in pre-television America—moving from hillbilly fiddle tunes culled from rare 78s (“Rocky Mountain Goat,” “Havana River Glide,” “Evening Star Waltz,” and “Frolic of the Frogs”) to cowboy and country songs made popular by the likes of Jimmie Rodgers (“Treasures Untold,” “Any Old Time”), Gene Autry (“Old Missouri Moon,” “My Old Pal of Yesterday”), Patsy Cline (“I’ve Loved and Lost Again”) to a couple of tunes by notable (at the time) ukulele stars ((I’m Crying ‘Cause I Know I’m) Losing You,” “Breezin’ Along with the Breeze”).
A couple of inspired song pairings make this 17-track, 47-minute disc really pay off: first, Ann’s a cappella vocal on the black gospel “Steal Away” followed by the husband-and-wife harmonies on the Louvin Brothers’ “I Steal Away and Pray” and, second, the twin 1930′s dancehall hits “I’ll See You in My Dreams” and “We’ll Meet Again,” ornamented by Phil with ukulele, Dobro, alto and tenor saxphones, and string bass.
While some musical artisans are content to master one style, When Shadows Fall make it plain that Ann & Phil Case master whatever they put their hands to.