The Misty Mountain String Band
3 stars (out of 5)
By John H. Duncan
Louisville’s Misty Mountain String Band sounds like many new wave string bands you may have heard—but, they do it better than most. Their sophomore release Brownsboro is full of genuinely good picking and singing, and is firmly tied to this decade.
A Kickstarted project with pop sensibilities, it’s clearly influenced by the Infamous Stringdusters, and the String Cheese Incident, Mumford and Sons (the banjo, when included, is played in either a Pete Seeger style or clawhammer style; however, it is not too prominent).
A lot of crowdfunded music projects have produced very slick presentations with all the trappings of a good band that were formerly provided by record companies—high resolution pictures, videos, t-shirts and web sites—but the music sometimes doesn’t cut it. But the 10-song, 40-minute Brownsboro overall is breezy, melodic, and well-played.
Brian Vickers (guitar), Neal Green (fiddle), Paul Martin (mandolin and banjo), and Derek Harris (bass) have created songs on this album that showcase melody focused picking (eight of the 10 tracks are originals) and their pop-flavored harmony singing is pretty refreshing. “Caged Bird” grabs a nice gypsy jazz feeling, and “Ship in a Bottle” is a perfect example of their influences outside of Americana, with Green’s fiddle and Martin’s mandolin closing the song with a brief but lovely baroque outro.
The two strictly instrumental tracks on the album are mid-tempo and sans banjo: the slightly Celtic title track and the haunting, lonesome “Turin’s Lament,” which evokes Bill Monroe’s “Dead March” and features a slow flat picked intro by Vickers with a bowed bass counter point by Harris.
The truly standout track is “Everlasting Arms,” beautifully arranged and sung in a powerfully subtle way with fine fiddling from Green.
“Steam Powered Aero Plane,” the album’s other familiar track, doesn’t come off as well, as both the picking and singing sound tentative compared to the legendary original from a legendary band, but that’s merely a quibble about a nice disc from a band with real potential.